After fifteen years traveling across five continents teaching creativity workshops, I’ve learned a few things about flying with paint, not forgetting crucial items, and how to make packing easier.
The best tip I can give you: make a visual packing list. This is quick and easy to do, all you need is your camera phone or digital camera.
In fact, if you’re in a hot hurry, which we usually are when catching a flight, you can photograph everything as you unpack it at your destination.
Which is exactly what I did in the example, below.
This same trick works for anything you need to pack. The contents of your electronics bag (no more forgetting your phone charger back at the hotel), your toiletry kit (I can never remember what I leave out when I can only travel with a carry on), or even your clothes, if there are repeat trips you make that are similar.
If you are traveling with kids and have more luggage to track, a visual packing list, in the form of a photo or two, can be printed out and placed right inside the luggage, so it’s easy to keep everything in it’s place when you’re ready to move along.
I don’t know if it’s just because I’m a visual thinker, but I find a simple photograph of what I’ve thoughtfully packed works better for me that a written list of items.
How about you? If you try this, let me know.
I’ll show you what my visual packing list looked like at the one of the retreats I lead in Mexico. I took a series of photos to help me pack for future workshops.
The three front containers are all inexpensive cosmetic bags, which are great for small art supplies. You know the roll up bags they make for fancy cosmetic brushes? I’ve only used them for my paint brushes.
Any type of clear, small plastic zipper bag works for me. I like to see into a bag before I open it (and so do our friends at the TSA). Go to our local drugstore cosmetics aisle (I love the one at Target) and go crazy.
On the left, front, is my apron. A colorful, embroidered gem from Oaxaca, Mexico. I just adore these aprons.
The container in the back is from Hobby Lobby, a simple, lightweight bucket-type, with pockets inside and out. I find it handy to have one main container to pile my most-used supplies into.
Every time I teach, I vary what I bring, as I’m always adding new supplies.
After each workshop, or trip, if it’s a personal adventure, I make notes on what supplies I didn’t use, so I can leave them behind next time. These notes can go right in your sketchbook or travel journal.
Or…notated right in the photo description after you’ve uploaded the photos to Facebook or Flickr, or your iPhoto album.
Pictured: just a small array of the rubber stamps I bring to share with everyone. I am not-so-mildly addicted to alphabet stamps.
I store lots of my stamps in old cigar boxes, which do not travel well. At all. These poor babies got really beat up on the last trip, so I’ll be looking for another option.
Even though stamp pads come in every color of the rainbow, my main color is black. The VersaFine brand is more expensive, but they last for ages, even when lots of people are using them every day.
For the sketchbook visual journal process, these are my some of my favorite paints.
I’ve made a supply list for you with paints, ideas for sketchbooks, my favorite stuff to work with (including online purchase links!), here:
The 2oz. bottles of craft paint are packed in zipper sandwich bags, which then go into a couple more plastic bags.
This photo shows me exactly how much paint I brought, and what colors, for a weeklong workshop with 12 people. Everyone in the workshop brings some of their own, plus I supplement with the Mexican paint. Always, there is lots of paint left over to donate to a local school or to someone in the workshop.
I use large bottles with no-spill tops (shown back, left) for items I use in my studio by the gallon, like gesso. Or else I’ll use a no-spill top on a full bottle of product if the top fits. So far, no problems with spillage. That’s what I did with the glazing liquid, even though you can’t really see it in the photo.
After all these years of traveling with paint, I’ve had no bad paint spills in the luggage. Until this year…when a bottle of ink exploded. It was rust-colored ink, and bled through the suitcase. It looks like dried blood. Not something I want to cart through customs again. Note to self: ink does not travel well.
Decorative clear tape, manilla tags, water-soluble oil pastels, big bag of ribbon scraps, more pretty paper and envelopes for our sketchbook making…each go into their own bag.
I keep an empty box in my studio and am constantly adding fun stuff to it to bring to workshops. The mix is always different. Like a seasonal creative compost.
The gallon zipper bags are my favorite packing item. This is not a commercial for ziplock, but don’t you think it would be fun if they wanted to sponsor an around-the-world with ziplocks packing challenge? Yes, please.
The gallon size is perfect for storing 12×12 papers, magazines, and collage ephemera. I’ve bought more expensive organizing methods for my decorative paper, and always end up coming back to my trusty zipper bags.
You can see the smaller zipper bags of paint bottles packed in a larger zipper bag.
All of this and the other supplies fit into this large plastic blue tote that zips shut. Sometimes I use a large mesh zipper bag, the kind that are popular in Mexican markets. Both are sturdy and checkable.
If I find new art supplies at my destination (I always do) then the plastic tote bag can be checked like regular luggage.
If you are looking for the Supply List I give everyone in my workshops, featuring my favorite sketchbook and visual journal supplies and materials, you can find that here:
OK. Now it’s your turn.
Let’s see your visual packing lists!